Showing Records: 161 - 180 of 189
Some Implications of Poetry / Workfortheeyetodo ; Williams E ; Wildman E ; Kostelanetz R ; Solt ME ; Cobbing B ; Phillips T ; Furnival J ; Bory JF ; Gomringer E ; Houedard DS ; Cutts S ; Elmslie J ; Williams J ; Crozier R ; Eigner L ; Lax R ; McLuhan M ; Porter B ; Riddell A ; Spatola A ; Gardner I ; Torok K ; Fidler M ; Cutts S ; DeCampos A ; Bridgewater P ; Valoch J ; Ward JP ; Brown P ; Jenkins P ; Parr M ; Dowden G ; Hollo A ; Rowan J ; McCarthy U ; Bielski A ; Claire P ; bissett b ; Griffiths B ; Mills N ; O'Huigin S ; Nuttall J ; Clavin H ; Nucha N ; Lucie-Smith E ; Mayer P ; Pacey P ; King R ; Zurbrugg N ; Mills S., 1994
Compiled by John Janssen. -- Source of annotation: Marvin or Ruth Sackner.
spacescape: a story of dimension / Godard, Keith ; Williams, Emmett., 2008
Sweethearts / Williams, Emmett., 1967
Each page is made up of the word(s) "sweetheart" in the form of different arrangements on the page or in a deconstructed format. A kinetic effect is obtained by flipping the pages. -- Source of annotation: Marvin or Ruth Sackner.
Sweethearts / Williams, Emmett., 1967
Each page is made up of the word(s) "sweetheart" in the form of different arrangements on the page or in a deconstructed format. A kinetic effect is obtained by flipping the pages. -- Source of annotation: Marvin or Ruth Sackner.
Sweethearts / Williams, Emmett., 1967
Each page is made up of the word(s) "sweetheart" in the form of different arrangements on the page or in a deconstructed format. A kinetic effect is obtained by flipping the pages. -- Source of annotation: Marvin or Ruth Sackner.
Sweethearts / Williams, Emmett., 2010
Each page is made up of the word(s) "sweetheart" in the form of different arrangements on the page or in a deconstructed format. A kinetic effect is obtained by flipping the pages. This is a repint copy of the book. -- Source of annotation: Marvin or Ruth Sackner.
Sweethearts / Williams, Emmett ; Burkland, Rae., 1982
Stored in Emmett Williams box. -- Source of annotation: Marvin or Ruth Sackner.
Text als Figur: Visuelle Poesie von der Antike bis zur Moderne 2nd Ed. / Jeremy Adler, editor ; Ulrich Ernst, editor ; Phillips T ; Maurus H ; Williams E ; Iliazd ; Finlay IH ; Houedard DS ; Sabatier R ; Isou I ; Cobbing B ; Mon F ; Ruhm G ; Jandl E ; Dohl R ; Furnival J ; Schwitters K ; Hausmann R ; Tzara T ; Kriwet F ; Marinetti FT ; Achleitner F ; Apollinaire G ; Aragon L ; Arp H ; Artmann HC ; Audiberti J ; Baader J ; Balla G ; Bayer K ; Beckett S ; Belloli C ; Bense M ; Bremer C ; Breton A ; Bryen C ; Broodthaers M ; Burliuk D ; Buzzi P ; Cage J ; DeCampos A ; DeCampos H ; Cangiullo F ; Cardew C ; Carra C ; Caruso L ; Cendrars B ; Corso G ; Creeley R ; Crombie J ; Curtay JP ; Dante ; Delaunay S ; Dencker KP ; Depero F ; Dienst KP ; Dohl R ; VanDoesburg T ; Ernst M ; Fahlstrom O ; Fenollosa E ; Ferlinghetti L ; Filliou R ; Fortunatus V ; Fraenkel E ; Gappmayr H ; Garnier P ; Geiger R ; Gill E ; Ginsberg A ; Goll Y ; Gomringer E ; Govoni C ; Grogerova B ; Grosz G ; Hachette M ; Hatherly A ; Heartfeld J ; Heidegger M ; Heissenbuttel H ; Herbert G ; Herrick R ; Higgins D ; Hirsal J ; Holz A ; Huelsenbeck R ; Janco M ; Jarry A ; Johns J ; Kamensky V ; King R ; Kolar J ; Kruchenykh A ; Leger F ; Lemaitre M ; Lenk T ; Lissitzky E ; Lurcat J ; Mayrocker F ; Mayakovsky V ; Mallarme S ; Mallock WH ; Masson A ; Mayer HJ ; Mayer P ; Mon F ; Morgan E ; Morgenstern C ; Morris W ; Nake F ; Papini G ; Peret B ; Pastior O ; Pignatari D ; Porphyrii PO ; Pound E ; Poyet F ; Isou I ; Queneau R ; Rauschenberg R ; Reverdy P ; Ribemont-Dessaignes G ; Riddell A ; Ronat M ; Schmidt W ; Schauffelen KB ; Satie A ; Satie E ; Simmias of Rhodes ; Seuphor M ; Soffici A ; Soupault P ; Spacagna J ; Stein G ; Sterne L ; Themerson F ; Themerson S ; Tschichold J ; Thomkins A ; Tinguely J ; Turnbull G ; Tyson I ; Uecker G ; Ulrichs T ; Verlaine P ; Vostell W ; Williams J ; Wittgenstein L ; Zadkine O ; Zukofsky L ; Agricola J ; Reinhart A ; Carroll L ; Eluard P ; Sackner RK ; Sackner MA., 1987
This is the 2nd edition of the catalogue whose content appears to be the same as the 1st edition (also held by the Sackner Archive). Several works held by the Sackner Archive are reproduced in this extensive international anthology of shaped, concrete and visual poetry, including among others Iliazd & Ernst "Maximilliana," Hrabamus Maurus, Journal Amusant, Mallarme's "Un Coup De Des," Fraenkel's "Visual Interpretations of Un Coup De Des," Apollinaire's "Calligrammes," Lurcat's "Le Bestiaire Fabuleux," King's "Alphabeta Concertina," and Johns and Beckett's "Fizzles." The ancient shaped poems predominate from German sources. The 1986 bibliography of the Sackner Archive is cited as one of the references. -- Source of annotation: Marvin or Ruth Sackner.
Text als Figur: Visuelle Poesie von der Antike bis zur Moderne / Jeremy Adler, editor ; Ulrich Ernst, editor ; Phillips T ; Maurus H ; Williams E ; Iliazd ; Finlay IH ; Houedard DS ; Sabatier R ; Isou I ; Cobbing B ; Mon F ; Ruhm G ; Jandl E ; Dohl R ; Furnival J ; Schwitters K ; Hausmann R ; Tzara T ; Kriwet F ; Marinetti FT ; Achleitner F ; Apollinaire G ; Aragon L ; Arp H ; Artmann HC ; Audiberti J ; Baader J ; Balla G ; Bayer K ; Beckett S ; Belloli C ; Bense M ; Bremer C ; Breton A ; Bryen C ; Broodthaers M ; Burliuk D ; Buzzi P ; Cage J ; DeCampos A ; DeCampos H ; Cangiullo F ; Cardew C ; Carra C ; Caruso L ; Cendrars B ; Corso G ; Creeley R ; Crombie J ; Curtay JP ; Dante ; Delaunay S ; Dencker KP ; Depero F ; Dienst KP ; Dohl R ; VanDoesburg T ; Ernst M ; Fahlstrom O ; Fenollosa E ; Ferlinghetti L ; Filliou R ; Fortunatus V ; Fraenkel E ; Gappmayr H ; Garnier P ; Geiger R ; Gill E ; Ginsberg A ; Goll Y ; Gomringer E ; Govoni C ; Grogerova B ; Grosz G ; Hachette M ; Hatherly A ; Heartfeld J ; Heidegger M ; Heissenbuttel H ; Herbert G ; Herrick R ; Higgins D ; Hirsal J ; Holz A ; Huelsenbeck R ; Janco M ; Jarry A ; Johns J ; Kamensky V ; King R ; Kolar J ; Kruchenykh A ; Leger F ; Lemaitre M ; Lenk T ; Lissitzky E ; Lurcat J ; Mayrocker F ; Mayakovsky V ; Mallarme S ; Mallock WH ; Masson A ; Mayer HJ ; Mayer P ; Mon F ; Morgan E ; Morgenstern C ; Morris W ; Nake F ; Papini G ; Peret B ; Pastior O ; Pignatari D ; Porphyrii PO ; Pound E ; Poyet F ; Isou I ; Queneau R ; Rauschenberg R ; Reverdy P ; Ribemont-Dessaignes G ; Riddell A ; Ronat M ; Schmidt W ; Schauffelen KB ; Satie A ; Satie E ; Simmias of Rhodes ; Seuphor M ; Soffici A ; Soupault P ; Spacagna J ; Stein G ; Sterne L ; Themerson F ; Themerson S ; Tschichold J ; Thomkins A ; Tinguely J ; Turnbull G ; Tyson I ; Uecker G ; Ulrichs T ; Verlaine P ; Vostell W ; Williams J ; Wittgenstein L ; Zadkine O ; Zukofsky L ; Agricola J ; Reinhart A ; Carroll L ; Eluard P ; Sackner RK ; Sackner MA., 1987
This is the 1st edition of the book which differs from the 2nd edition (also held by the Sackner Archive) in terms of the description on the publication page. For example, it has a caption that reads, "Gedruckt mit Unterstutzung der Bergischen Univesitat - Gesamthochschule Wupperthal und des Westfiels College, London." Several works held by the Sackner Archive are reproduced in this extensive international anthology of shaped, concrete and visual poetry, including among others Iliazd & Ernst "Maximilliana," Hrabamus Maurus, Journal Amusant, Mallarme's "Un Coup De Des," Fraenkel's "Visual Interpretations of Un Coup De Des," Apollinaire's "Calligrammes," Lurcat's "Le Bestiaire Fabuleux," King's "Alphabeta Concertina," and Johns and Beckett's "Fizzles." The ancient shaped poems predominate from German sources. The 1986 bibliography of the Sackner Archive is cited as one of the references. -- Source of annotation: Marvin or Ruth Sackner.
Text + Kritik: Konkrete Poesie II. No.30/Apr / Heinz Ludwig Arnold, editor ; Gomringer E ; Ruhm G ; Cage J ; Williams E ; Schuldt ; Solt ME ; McCarthy C ; Bremer C ; Jandl E ; Roth D ; Gappmayr H ; Schauffelin KB., 1971
The Boy and The Bird / Williams, Emmett., 1969
The text is by Emmett Williams and the illustrations are by Tom Wasmuth. Each page contains four lines of poetry. The upper right corner of each page is filled with black step-like forms. As the poem becomes more complex, the black areas grow larger black areas that gradually recede altogether from the page. The poems in turn also become simpler in form. The note in the back of the book states that "the cover illustrates the intention of the artist...to realize this intention the reader may cut out the black area of each page and remove the cover photograph." -- Source of annotation: Marvin or Ruth Sackner.
The Boy and The Bird / Williams, Emmett., 1969
The text is by Emmett Williams and the illustrations are by Tom Wasmuth. Each page contains four lines of poetry. The upper right corner of each page is filled with black step-like forms. As the poem becomes more complex, the black areas grow larger black areas that gradually recede altogether from the page. The poems in turn also become simpler in form. The note in the back of the book states that "the cover illustrates the intention of the artist...to realize this intention the reader may cut out the black area of each page and remove the cover photograph." -- Source of annotation: Marvin or Ruth Sackner.
The Initial Alphabet / Ferguson, Gerald ; LeWitt S ; Huebler D ; Andre C ; Williams E ; Siegelaub S., 1994
The letters of the typings in this exhibition made with an IBM Selectric electrical typewriter were done in lowercase Letter Gothic font. -- Source of annotation: Marvin or Ruth Sackner.
The No Institute / Olbrich, Jurgen O., editor ; McClean B ; Noel A ; Monro N ; Williams E ; Olbrich JO ; Neslony B ; Hainke W ; Pawson M ; Schnyder A ; Summers R ; Arts A ; Knizak M ; Mields R ; Hendricks G ; Klassen N ; Ciani P ; Norros H ; Albrecht d ; Nomads., 1994
The Page as Alternative Space, 1950-1969 / Franklin Furnace ; Berman W ; Roth D ; Williams E ; DeCampos A ; Gomringer E ; Kolar J ; MacLow J ; Flynt H ; Munari B ; Debord G ; Dienst KP ; Ben ; Higgins D ; Gette PA., 1980
Checklist for the exhibition of works from international experimental artists and writers curated by Barbara Moore and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.
The Rub, 1990 - 1995
The images mostly depict animals, although the original frottage in this copy depicts a sailing ship. The original frottage is dated as 1990. -- Source of annotation: Marvin or Ruth Sackner.
The Voyage / Williams, Emmett., 1975
Williams wrote this poem using only three letter words which gradually become smaller as the voyage progresses by fliping the pages. -- Source of annotation: Marvin or Ruth Sackner.
Typograms / Bridgwater, Patrick ; Indiana R ; Mon F ; Williams E ; Apollinaire G ; Mallarme S ; Roth D ; DeCampos A ; Gomringer E ; Furnival J ; Mayer HJ ; Finlay IH ; Graham Ri., 1968
The introduction was written by Rigby Graham. This book is stored with Jos C. Brilliantes book, "Sonnets in Concrete volume one." Bridgewater in other publications also spelled his name as Bridgwater. -- Source of annotation: Marvin or Ruth Sackner.